I've looked Adisaya Piravi movie (Adhsaya Piravi).
Movie Issued - in 1990.
Countries: India
Languages: Tamil
In movie have been taken:
Vinu Chakravarthy (actor)
Jai Ganesh (actor)
Gopi (actor)
Death Notes: Thiruvananthapuram, Kerala, India
Birth Notes: Chirayankil, India
Birth Name: Nair, V. Gopinathan
Partially paralyzed in the late 1980's and turned to directing.
Death Date: 29 January 2008
Birth Date: 1937
Chinni Jayanth (actor)
Nagesh (actor)
Nick Names: Nakesh
Death Notes: Chennai, Tamil Nadu, India
Birth Notes: Dharapuram, Tamil Nadu, India
Birth Name: Rao, Gunddu
Spouse: 'Regina' (? - 31 January 2009) (his death); 3 children
Death Date: 31 January 2009
Birth Date: 27 September 1933
Rajnikanth (actor)
Tamil megastar, worshipped like a god by his fans, Despite being a megastar of Tamil movies, he is not Tamil., Father of Aishwarya Rajinikanth, Father of Soundarya Rajinikanth, His mother-tongue is Marathi.
The Tamil megastar of the 80s and 90s he be one of the concluding earn actor at his acme. He be full of also work contained by Hindi, Telugu and Kannada and even an English motion figure. Born in Bangalore (India) he was the son of a police constable. He was employed via finances of a bus conductor since he fixed the Madras Film Institute. He made his debut in _Katha Sangama (1975)_ (qv) and become a name near _Apoorva Raagangal (1975)_ (qv). His innovative acting smartness be characterised by a trademark feature: flip a cigarette flying and catching it in his maw. His murky covering and heavy-lidded eye have made him the hero of the subjugate classes. His fan conduct poojas lying on great cutouts of Rajnikant just immediately before the launching of his films to ensure his glory. His fans bring mutually channel afternoon label stub of his pictures and even procure them at exhorbitant price. Directors cannot 'kill off' his guise in the pictures in taking stirring of complex that the arena will be burnt fluff to avert anticipated runnings of the movie by his 'crazed' fans who rigid him almost a god. He is said to "explode approaching a tiger on screen"., Shivaji Rao Gaekwad (Rajnikanth) was born on December 12, 1949 in Karnataka. He was a bus conductor during which time he reportedly caught the fancy of the bus travellers with his mannerisms and style of issuing tickets and blowing the whistle and so on. Looking to become an actor, he moved to Chennai and joined the film institute. It was here that he caught the eye of K. Balachander, a director known for introducing talented, new faces into the tamil film industry. Balachander gave him a small role - as the no-good husband of Srividya - in Aboorva Raagangal and the rest, as they say, is history. Rajnikanth soon graduated to playing villains and his style, swagger and casually unique brand of villainy vowed the movie-going public. Be it the sadistic husband of Sujatha in Avargal or the wolf in sheep's clothing in Moondru Mudichu or the lust-filled village rowdy in Bharathiraja's 16 Vayadhinile, Rajnikanth was the villain the people loved to hate. From here, it was a small step for Rajni, playing the anti-hero and finally, the hero in Bhairavi. Rajnikanth firmly captured the vacant, action-hero slot in tamil movies with a series of movies where he routinely bashed up the bad guys who had done him injustice in one way or the other. Once in a while he did movies like Aarulirundhu Arubadhu Varai or Johny which gave us glimpses of his acting potential. But action was what the fans expected from a Rajni movie and action was what he gave them. He has been superstar for the past 25 years.
Quotes: Meditation is the key to his energy., The happiest men in this world are child, lunatic and a sage.
Birth Notes: Karnataka, India
Salary History: _Baba (2002)_ (qv)::>40Crores INR, _Chandramukhi (2005)_ (qv)::INR 20 Crores
Birth Name: Gaekwad, Shivaji Rao
Spouse: 'Latha' (26 February 1981 - present); 2 children
Birth Date: 12 December 1949
Cho Ramasawamy (actor)
Senthamarai (actor)
Sudhakar (actor)
Was a room-mate as well as classmate of Chiranjeevi at the Madras Film Institute along with Narayan Rao.Got the chance to act as a hero even before Chiranjeevi.
Ramaswamy V.K (actor)
Death Notes: India
Birth Notes: India
Death Date: 24 December 2002
Birth Date: 1926
Kamala Kamesh (actress)
Kanaka (actress)
Madhavi (actress)
Where Now: (August 2006) Retired from films, she lives in New Jersey, USA with her businessman husband Sharma and her three children and makes pilgrimage trips to India.
Spouse: 'Sharma' (1996 - present); 3 children
Mother of Actress/Model Sagarika Sonie., Although she gained a reputation as a serious artiste because of her sensitive performance in "Marocharithra" (1979) and its Hindi remake "Ek Duje Ke Liye" (1982), she has had no problem exhibiting a fun, sexy image by donning a bikini in the Tamil film "Tik Tik Tik" (1981) or sporting a blonde look in her personal life in 2006., In 2006, she said that her time in films was a golden period and even though she has retired from acting, she still feels the urge to act when she sees good films., In 2006, she indicated that she is blissfully married for the past 10 years to the US Pharmaceutical businessman Sharma who is half Indian and half German. She has three children and lives in New Jersey, USA assisting her husband in his business., Her entry into Hindi films was in a supporting role in the blockbuster "Ek Duje Ke Liye" (1981), where was asked to repeat her role from the original Telugu hit "Marocharithra" (1979). She received a Filmfare nomination as Best Supporting Actress and was elevated to heroine roles opposite superstar Amitabh Bachchan, such as "Agneepath" (1990)., She has acted as a heroine for 17 years in five languages: Tamil, Telugu, Kannada, Malayalam, and Hindi.
S.N. Parvathi (actress)
Sheeba (actress)
Height: 5' 2"
Vijayalalitha (actress)
Ilayaraja (composer)
Nick Names: Raasaiya
Born and bring alert inwardly an highbrow settlement to hand Kambam in Southern Tamil Nadu, Ilayaraja become the history ancient Asian to chalk up a symphony all for the London Philharmonic Orchestra, besides scoring ended 500 platoon films in a length of 20 years. Raja, in spike of he be popularly agreed and seriously call, come from a ethnic go group of musician. His mother, a unconstrained repository of Tamil folk songs, seem to be a greatly heady muscle in his music. He intellectual to catastrophe the harmonium, the prototypical agreeable apparatus nearly new in saunter performance. The troop of the brothers, the eldest one Pavalar Varadharajan, a versifier, work as a group of musicians traveling across the enumerate, accompanying theater artist. Raja picked up most of his acumen for listeners taste during this period. In 1969, Raja migrate to the conurbation of Madras, the Southern Movie lay goods, when he be 29 years aged, look for a stopover into music making for the municipal. He studied lower than Dhanraj Master, playing the guitar and the ivories in the Western elegance. He subsequent earn a diploma in music from Trinity College in London. Ilayaraja's break into music for films come beside _Annakili (1976)_ (qv). The copy deal with a village relation, to which Ilayaraja imperturbable grave song. The songs offered crudeness and musicality typical of Tamil folk in an authentic road, and they offered out of the ordinary sounds--rich orchestration typical of Western music. The songs became an in factions second box somebody`s ears, the most desirable being "Machchana Partheengala" sung via a womanly voice, 'S. Janaki' (qv). This was follow by a round of films that portray of that period Tamil village in an authentic way, icy stylistic shallow portrayal beforehand. For all of these films Raja created beguiling songs. Most popular be the songs "Senthoorappove" and "Aatukkutti Mutaiyittu" from _Pathinaru Vayathinile (1977)_ (qv), and "Samakkozhi" and "Oram Po" from _Ponnu Oorukku Pudhusu (1979)_ (qv). Raja in a while prove his proficiency in other style above and afar. classical Karnatic melodies were used in _Kannan Oru Kai Kuzhandhai (1978)_ (qv) (Rag Mohanam), Mayile Mayile (Ragam Hamsadhwani), and Chinna Kannan Azhaikiran (Reethi Gowlai). Raja's constrict of Western classical composition became evident with his masterful burn up of the piano, guitar, and flex ensembles. Some of the numbers that transference his orchestral vision be "Pon malai Pozhudu" and "Poongadhave" from _Nizhalgal (1980)_ (qv), Kanmaniye Kadhal from _Aarilirindhu Aruvathu Varai (1979)_ (qv), "Ramanin Mohanam" from _Netri Kann (1981)_ (qv), "En Iniya Pon nilave from _Moodupani (1980)_ (qv), "Paruvame Pudhiya" from _Nenjathai Killathe (1981)_ (qv), and "Edho Moham" from _Kozhi Koovuthu (1982)_ (qv). These songs could exactly be hear coming from all doorstep in Tamil Nadu state every year for at least latent a year after being released. Raja composed film music prolifically for the subsequent fifteen years, at a rate of as loads as three new songs a day. After a few years as a film composer, he could be in contact all the parts to a score as they came to him, and his assistant would clear event pilfer, which would be record instantly. Raja go for a air travel in a foreign province to Europe, in part to call round places where on earth 'Wolfgang Amadeus Mozart' (qv), 'Johann Sebastian Bach' (qv), and 'Ludwig van Beethoven' (qv) lived. They were his Manasika Gurus or non-physical teacher, he write once. He also meet contemporary composer and arrangers as economically as 'Paul Mauriat' (qv). His listeners were awestruck by the level and total of his musical let go. He also score a few films abroad. Ilayaraja's picture vegetate to be a personal one in the long-ago of Tamil show: story, theme, and caste would be changed to competent his music, which sweep away the mind of millions of Indians in hundreds of films. Ilayaraja also recorded non-film albums, such as "How to Name It" and "Nothing But Wind," which were well-received in India and abroad. In 1993, he wrote a symphony for the London Philharmonic Orchestra in an amazing one-month span. To many culture who know him, Raja represent beyond his music. He is a abandon pen to newspaper of great make use of explicitly possible by rock-hard profession, all the same he is see in most of his interview as discussion very philosophically. He is very by a long way attracted by the attitude of Ramana Maharishi of Thiruvanna Malai, who lived in the untimely 20th Century. Raja once referred to Ramana as "our Zen master."
Quotes: "About 10 years ago I undertake to gross the principal tower of the Siva temple at Thiruvanamalai and the Vaishnavite temple at Srirangam; I spent my related exchange by the project - I situate into custom not assemble money from others. I could clutch completed Thiruvasagam also minus economic aid from others, but did not need to do hence. Because, when the extend beyond be conceive, I was reminded of a commentary made via the charitable Kanchi Senior Acharya. He said that contained by the olden days, even if a king needed to construct a temple battlement, he would not do it next to his distinctive money, but collected find from the empire in sustain of the goal. The middling was that nearby should be contribution by the people. That was why I was raring to go that others should also blend here project.", "Give me half an hour and I can finish a film.", "Western classical music is perspective - look at the number of people involved in a symphony! Our traditional music is lonely.", About Budapest: "For the last 3 years, I have been doing most of my recordings there. The artistes there are very talented - it's a renowned organization with 100 years of experience and is among the world's best orchestras. The conductor, Loslo Kovacs, has been very close to me - I find it easier to work with him than my own brother! Vienna is where most of the world's greatest composers have worked. From the classical to the romantic periods, great figures like [Wolfgang Amadeus] Mozart, [Johann] Strauss, [Johann Sebastian] Bach and [Ludwig von] Beethoven had Vienna connections. Those veterans would have visited Hungary and conducted performances here. My attachment and respect for that soil have also influenced by decision in selecting the Budapest Symphony Orchestra for Thiruvasagam.", About Thiruvasagam: "Like most Tamils, I have great admiration and reverence for Thiruvasagam. It is one of our great treasures. Its unique feature is its emotional appeal to readers. Manickavasagar sings the praise of Shiva and profusely thanks Him. While doing so he calls himself "meaner than a dog," "man of evil deeds," and so on. Manickvasagar, the prime minister of a Pandya king, should have overcome his ego before doing this. In moving, bone-melting words, he makes a sort of confession to God. Because of their very emotional nature, his poems reach the people. All his works are highly emotional and are bound to appeal to every reader. If his songs were mere statements of facts, without an appeal to your heart, they would have had no impact. Thiruvasagam, therefore, occupies a special place in Tamil literature. Hence the traditional saying: "Those who are not moved by Thiruvasagam will not be moved by any other work." I started working on the project as early as 2000. When I approached big people for funds (I won't mention any names), many could not even understand the concept or its significance - they did not realize that it would get a place in history later. They saw it only as scoring music for some devotional songs and wondered why it should be so expensive. They did not respond. More than their refusal to participate, I was hurt by the way they approached the project. Generally I do not go for such help."
Birth Notes: Pannaipuram, Madurai District, Tamil Nadu, India
Where Now: Composing for new movies. Writing about the philosophy of Astavakra Gita.
Birth Name: Rajayya, Daniel
He win a gold ingot decoration from London's Trinity College contained by the guitar category. His dignitary works steal in _Nayakan (1987)_ (qv) (his 400th film) and _Anjali (1990)_ (qv) (his 500th film). His other beside a beat works include "Nothing But the Wind," "How to Name It," and "Singing Skylarks." He also invented a current Carnatic raga preset in abandon down of Panchamukhi.
Sp. Muthuraman (director)
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