I recommend to look For Ever Mozart movie
Movie Premier in 1996.
Copyright Holder: © 1996 JEAN-LUC GODARD
Antunes, João. In: Diário de Notícias, Programas (Portugal). (31.10.1997. NP), D'Yvoire, Christophe. In: Studio (France). (MG), December 1996, Pg. 14, Katelan, Jean-Yves. In: Première (France). (MG), December 1996, Pg. 30, Lopes, João. In: Expresso, Cartaz (Portugal). (01.11.1997. WNP)
Essays: Godard, Jean-Luc. Jean-Luc Godard par Jean-Luc Godard, Tome 2 1984-1998. Cahiers du Cinéma, 1998, ISBN 2866421981
Screenplay-teleplay: Godard, Jean-Luc. For Ever Mozrt. In: Phrases (France), P.O.L., 26 November 1996, Pg. 101, (BK), ISBN 2867445396
Certificates: France:U, Portugal:M/12
Color Info: Color
Countries: France, Switzerland
Genres: Drama, War
Languages: French
Locations: Carouge, Canton Geneva, Switzerland, Rolle, Canton de Vaud, Switzerland
Runtimes: 84
Tech Info: OFM:35 mm, PFM:35 mm
Release Dates: Canada:9 September 1996, France:27 November 1996, Germany:1 July 1997, USA:4 July 1997, Portugal:31 October 1997, Brazil:16 January 1998, Japan:26 June 2002
In movie have been taken:
Max André (actor)
Gérard Baume (actor)
Harry Cleven (actor)
Articles: "Le Soir" (Belgium), 16 March 2005, Iss. 63, pg. 28, by: Fabienne Bradfer, "Harry Cleven agit comme un coup de foudre"
Birth Notes: Liège, Belgium
Birth Date: 19 August 1956
Marc Faure (actor)
Michel Francini (actor)
Stanislas Gaczol (actor)
Nedeljko Grujic (actor)
Jean Grécault (actor)
Zbigniew Horoks (actor)
Daniel Krellenstein (actor)
Norbert Krief (actor)
André Lacombe (actor)
Hervé Langlois (actor)
Vicky Messica (actor)
Death Notes: Paris, France
Birth Notes: Tunis, Tunisia
Death Date: 12 November 1998
Birth Date: 10 February 1939
Alain Moussay (actor)
Serge Musy (actor)
Frédéric Pierrot (actor)
Birth Notes: Boulogne-Billancourt, Ile de France , France
Birth Date: 17 September 1960
Valerio Popesco (actor)
Dominique Pozzetto (actor)
Dan Thorens (actor)
Bérangère Allaux (actress)
Madeleine Assas (actress)
Béatrice Avoine (actress)
Sabine Bail (actress)
Articles: "Ecran Total Daily" (France), 19 May 1999, Iss. 7, pg. 21, by: Christine Quenon, "L'oeil des critiques: Les jeunes talents"
Karine Belly (actress)
Spouse: 'Martin Lamotte' (qv) (14 February 2002 - present)
Sarah Bensoussan (actress)
Cécile Caillaud (actress)
Birth Notes: Paris, France
Birth Date: 1967
Nathalie Dorval (actress)
Sylvie Herbert (actress)
Ghalia Lacroix (actress)
Stéphanie Lagarde (actress)
Birth Notes: Limoges, France
Birth Date: 15 July 1969
Claire Laroche (actress)
Cécile Reigher (actress)
Juliette Subira (actress)
Euryale Winter (actress)
Yasna Zivanovic (actress)
Alain Sarde (producer)
Birth Notes: Boulogne-Billancourt, Hauts-de-Seine, France
Brother of composer 'Philippe Sarde' (qv)
Birth Date: 28 March 1952
Ruth Waldburger (producer)
Jean-Luc Godard (writer)
Articles: "The New York Times" (USA), 9 March 2008, Vol. 157, Iss. 52,2444, pg. AR15, by: Terrence Rafferty, "Man, Godard and Nature (and Bardot, Too)", "The Village Voice" (USA), 10 October 2007, by: J. Hoberman, "Blow It Up", "Mojo" (UK), June 2006, Iss. 151, pg. 130, by: Keith Cameron, "The philosopher's Stones: At last, both versions of revolutionary French director Jean-Luc Godard's notorious Stones movie are available together. But what can it all mean?", "Film Comment" (USA), January 2005, Vol. 41, Iss. 1, pg. 34-36+39+42-43, "Chapter and Verse: Richard Combs and Raymond Durgnat on the art of reading Jean-Luc Godard", "Stop Smiling" (USA), 2005, Iss. 23, pg. 85, by: Michael Joshua Rowin, "Weekend In Hell", "The Washington Post" (USA), 5 December 2004, Vol. 127, Iss. 366, pg. N3, by: Desson Thomson, "Godard, The Old Pro Of France's New Wave", "Black Book" (USA), December 2004, Iss. 36, by: Richard Hell, "'Hell at the Movies' #5: A new masterpiece from an old master, Jean Luc Godard's 'Notre Musique' is 79 minutes of heaven, hell, and purgatory", "Film Comment" (USA), January 2004, Vol. 40, Iss. 1, pg. 76, by: J. Hoberman, "Vive La Resistance!", "Film Comment" (USA), September 2003, Vol. 39, Iss. 5, pg. 14-15, by: Frederic Bonnaud, "In His New Video Essay Godard Rediscovers The Joy Of Being Swiss", "Film Comment" (USA), November 2001, Vol. 37, Iss. 6, pg. 14, by: Chris Norris, "'Sound': Godard's 'In Praise of Love'", "International Herald Tribune" (USA), 17 May 2001, Iss. 36763, pg. 24, by: Joan Dupont, "The Return of Godard", "TV Guia" (Portugal), 1997, Iss. 981, pg. 90, "Film Comment" (USA), January 1991, Vol. 27, Iss. 1, pg. 63-66, by: Robert Stam, "The Lake, The Trees", "Oui" (USA), December 1984, Vol. 13, Iss. 12, pg. 77, by: James Verniere, "Godard's French Kiss"
Was voted the 31st Greatest Director of all time by Entertainment Weekly., Biography in: John Wakeman, editor. "World Film Directors, Volume Two, 1945-1985". Pages 392-400. New York: The H.W. Wilson Company, 1988., A huge fan of American auteur 'Nicholas Ray' (qv) and famously said that "the cinema is Nicholas Ray."., Was offered the opportunity to direct "Bonnie and Clyde" (1967) after 'François Truffaut' (qv) declined., Had a falling out with 'Francois Truffaut' after Truffaut made it clear that he considered Godard overly cynical in his views and claimed that Godard tried to put down other filmmakers only to raise regard of his own work., As of the 5th edition of 1001 Movies You Must See Before You Die (edited by Steven Jay Schneider), 8 of Godard's films are listed: _À bout de souffle (1960)_ (qv), _Vivre sa vie: Film en douze tableaux (1962)_ (qv), _Le mépris (1963)_ (qv), _Alphaville, une étrange aventure de Lemmy Caution (1965)_ (qv), _Pierrot le fou (1965)_ (qv), _Masculin féminin: 15 faits précis (1966)_ (qv), _2 ou 3 choses que je sais d'elle (1967)_ (qv) and _Week End (1967)_ (qv).
Pictorials: "Télépro" (Belgium), 13 May 2004, Iss. 2619, pg. 24-25, "Les chocs et les émotions du Festival de Cannes", "Ciné-Revue" (Belgium), 30 May 1968, Vol. 48, Iss. 22, pg. 6-10, by: J. v. Cottom and Paul Louis, "Cannes 1968 : Toutes les photos du scandale du Festival"
Nick Names: JLG
Interviews: "Film Comment" (USA), January 2005, Vol. 41, Iss. 1, pg. 37+40-41, "Occupational Hazards: JLG at work, as told to Frederic Bonnaud", "Filmvilág" (Hungary), September 2001, Vol. 44, Iss. 9, pg. 20-21, by: Jacques Drillon/Jacques Mancière/Charles Tesson, "Valami mindig történik", "Film" (West Germany), November 1967, Vol. 5, Iss. 11, pg. 12-16, by: Gideon Bachmann, ""Der Mensch ist Gott, weil Gott keibne Ideale hat"", "Lui" (France), July 1965, Iss. 19, pg. 96-97 + 99, by: René Château, "L'Helvétie pour une lanterne"
Jean-Luc Godard be born enclosed by Paris against December 3, 1930, the second of four brood in a bourgeois Franco-Swiss domestic. His father was a basic practitioner who individual a isolated clinic, and his mother come from an preeminent family of Swiss bankers. During World War II, Godard become a naturalize citizen of Switzerland, and attend the seminary in Nyons ( Switzerland ). His parents removed in 1948, at which circumstance he return to Paris to attend the Lycée Rohmer. In 1949, he studied at the Sorbonne to infuse in favour of a freedom in ethnology. However, it was during this time that he initiate attending the 'François Truffaut' (qv), 'Jacques Rivette' (qv), and 'Eric Rohmer' (qv). In 1950, Godard beside Rivette and Rohmer found a "Gazette du cinéma", which published five issues involving May and November. He write several article for the log, persistently using the false name 'Hans Lucas'. After method on and finance two films via Rivette and Rohmer, Godard's family incise bygone its sell-by date their fiscal investment in 1951, and he resorted to a Bohemian lifestyle that built-in stealing hay and support when requisite. In January 1952 he began lettering prove retort for 'Les cahiers du cinéma'. Later that year he traveled to North and South America with his father, and attempt to sort his furthermost prehistoric film (of which with the rare end a track shot from a tavern was ever accomplished). In 1953, he returned to Paris briefly wakeful to that time acquire a cause of revenue in deposit of a construction drone on a embankment jut out over in Switzerland. With the money from the job, he made a epigrammatic film in 1954 going on for the construction of the dam call _Opération béton (1954)_ (Operation Concrete). Later that year, Godard's mother was kill in a motor scooter hug of chance in Switzerland. In 1956, Godard began writing again for 'Les cahiers du cinéma' and as for the journal "Arts". In 1957, Godard work as the wring attache for "Artistes Associés", and made his first French film qualified _Tous les garçons s'appellent Patrick (1957) (Charlotte et Véronique). In 1958, he shot _Charlotte et son Jules (1960)_ (qv) (Charlotte and Her Boyfriend), his individual homage to Jean Cocteau. Later that year, he take available video video recording of a gully in Paris shot by Truffaut and edited a film called _Une histoire d'eau (1961)_ (qv) (A Story of Water) which was an homage to 'Mack Sennett' (qv). In 1959, he worked with Truffaut on the weekly publication "Temps de Paris". Godard wrote a tittle-tattle column for the journal, but also spent substantially time writing scenario for films and a article of judgmental writings which placed him stably in the fore of the 'nouvelle vague' opulent, precursing the French New Wave. It was also this year that Godard began tough grind on _À bout de souffle (1960)_ (qv) (Breathless). In 1960, Godard married 'Anna Karina' (qv) in Switzerland. In April and May, he shot _Le petit soldat (1963)_ (qv) in Geneva and was prepare the film for a decline discharge in Paris. However, French censor prevented the film in the red to its reference to the Algerian period of war, and it was not shown until 1963. In March, 1960, _À bout de souffle (1960)_ (qv) premiered in Paris. It was inestimably jubilant both with the film critic and at the coffer department, and became a character film in the French New Wave with its references to American show, its unequal editing, and overall romantic/cinephilia side to filmmaking. The film propel the popularity of the manly arrange 'Jean-Paul Belmondo' (qv) with European audience. In 1961, Godard shot _Une femme est une femme (1961)_ (qv) which was his first film using color wide-screen pigs. Later that year, he participate in the absolute try to remake the film _Les sept péchés capitaux (1962)_ (qv), which was herald as an central project in optical support. In 1962, Godard shot _Vivre sa contend: Film en douze tableau (1962)_ (qv) in Paris, his first commercial glory since _À bout de souffle (1960)_ (qv). Later that year, he shot a segment entitled Le Nouveau Monde for the collective film RoGoPaG, another important work in the ancient times of collaborative multiple-authored art. In 1963, Godard completed a film in homage to 'Jean Vigo' (qv) entitled _Les carabiniers (1963)_ (qv) which was a breath-taking dud with the town and stirred angry controversy with film critics. Also this year, he worked on a double act of collective films: _Les plus belles escroqueries du monde (1964)_ (qv) (from which Godard's chain was after that cut) and _Paris vu par... (1965)_ (qv). In 1964, Godard and his wife 'Anna Karina' (qv) formed their own harvest management called 'Anouchka Films.' They shot a film called _Une femme mariée (1964)_ which censors unnatural them to re-edit due to a topless sunbathe scene shot by 'Jacques Rozier' (qv). The censors also made Godard oscillation the name to _Une femme mariée (1964)_ hence as to not endow with the dupe that this 'scandalous' female was the customary French wife. Later in the year, two French duct programs be produced in doggedness to Godard's work. In the spring of 1965, Godard shot _Alphaville, une étrange aventure de Lemmy Caution (1965)_ (qv) in Paris; in the summer, he shot _Pierrot le fou (1965)_ (qv) in Paris and the south of France; shortly thereafter, he and 'Anna Karina' (qv) not linked. Following their divorce, Godard shot the film _Made in U.S.A. (1966)_ (qv), _Deux ou trois choses que je sais d'elle (1966), L'amour en l'an 2000 (sequel to Alphaville shot as a illustrate for the collective film L'amour travers les ages). In 1967, Godard shot _La chinoise (1967)_ (qv) in Paris with the actress 'Anne Wiazemsky' (qv), who was the granddaughter of the French novelist 'François Mauriac' (qv). During the making of the film, Godard and Wiazemsky were married in Paris. Later in the year, he was prevented from traveling to North Vietnam for the shooting of a sequence for the collective film _Loin du Vietnam (1967)_ (qv). He instead shot the sequence in Paris, entitled Camera-Oeil. Also during 1967, Godard participated (as the only Frenchman) on an Italian collective film called _Amore e rabbia (1969)_ (qv). In 1968, Godard was commissioned by French television to make the film _Gai savoir, Le (1968)_ . However, television producers were outraged by the pay Godard produced, and they refuse to show it. In May of 1968, Godard was furious with the volley of Henri Langlois as the herald of the French 'Jean-Pierre Gorin' (qv) to sort the 'Dziga-Vertov' cohort. Godard became gradually settled with socialist solution to an dreamer cinema, more than ever in providing the proletariat with the technique of production and giving out. Along with other militantly diplomatic filmmakers in the Dziga-Vertov group, Godard published a sequence of 'Ciné-Tracts' outlining these viewpoint. In the Summer of 1968, Godard travel to New York City and Berkeley California to shoot the film One American Movie, which was never completed. In September he made a passage to Canada to start another film called Communication(s) which was also moved out curtailed, and consequently made a drop by to Cuba before returning to France. In 1969, Godard traveled to England where on earth he made the film British Sounds for BBC Weekend Television, which later refused to show it. In the postponed Spring he traveled with the Dziga-Vertov group to Prague to privately shoot the film Pravda. Later that year he shot Lotte in Italia (Struggle for Italy) for Italian television. It was never shown. In 1970, Godard traveled to Lebanon to shoot a film for the Palestinian Liberation Organization entitled Jusque à la victoire (Until Victory). Later that year he traveled to dozens of American university maddening to lift money for the film. In dreadfulness of his pains, it was never released.
Katell Djian (cinematographer)
Jean-Pierre Fedrizzi (cinematographer)
Christophe Pollock (cinematographer)
Nadine Butin (costume designer)
Marina Zuliani (costume designer)
Jean-Luc Godard (director)
Marie-Christine Delmotte (miscellaneous crew)
Hervé Duhamel (miscellaneous crew)
Véronique Fraget (miscellaneous crew)
Laurent Maillefer (miscellaneous crew)
Philippe Saal (miscellaneous crew)
Ivan Niclass (production designer)
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